About the song

Bobbie Gentry, known for her evocative storytelling and rich voice, covered the classic song “Son of a Preacher Man,” a track that has become a beloved standard in the soul and pop music canon. While the song is most famously associated with Dusty Springfield, who made it a hit in 1968, Bobbie Gentry’s rendition brings her unique Southern charm and distinct vocal style to the piece, adding another layer of depth and emotion.

“Son of a Preacher Man” was written by John Hurley and Ronnie Wilkins and originally intended for Aretha Franklin, who ultimately turned it down. The song tells the story of a young girl’s romantic encounters with the son of a preacher, capturing the innocence and excitement of young love with a soulful melody and heartfelt lyrics. The narrative’s blend of gospel and secular themes resonated deeply with audiences, making it a timeless hit.

Bobbie Gentry’s version, which she recorded in 1969 for her album “Touch ‘Em with Love,” showcases her ability to interpret songs with a personal touch. While Gentry’s “Son of a Preacher Man” did not achieve the same chart-topping success as Springfield’s, it was well-received by fans and critics alike, appreciating Gentry’s warm, intimate vocal style and the subtlety she brought to the song.

Gentry’s rendition was part of her effort to diversify her musical repertoire, demonstrating her versatility as an artist. Known primarily for her hit “Ode to Billie Joe,” Gentry’s foray into covering soul classics like “Son of a Preacher Man” highlighted her ability to cross genres effortlessly, blending country, pop, and soul influences.

“Touch ‘Em with Love,” the album featuring “Son of a Preacher Man,” itself received critical acclaim and showcased Gentry’s artistic growth. Although the album did not achieve significant commercial success, it remains a testament to her skill as a vocalist and interpreter of songs.

For many, Bobbie Gentry’s “Son of a Preacher Man” is a reminder of her rich musical legacy and her ability to breathe new life into well-known songs. Her version of the track stands as a unique and soulful interpretation that complements the original while showcasing her distinctive talent. It remains a cherished part of her discography, reflecting the enduring appeal of both the song and Gentry’s artistry.

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Lyrics

Billy-Ray was a Preacher’s son,
And when his daddy would visit he’d come along,
When they gathered round and started talking,
Cousin Billy would take me walking,
Through the back yard we’d go walking,
Then he’d look into my eyes,
Lord knows to my surprise:
The only one who could ever reach me,
Was the son of a preacher man,
The only boy who could ever teach me,
Was the son of a preacher man,
Yes he was, he was, oh yes he was.
Being good isn’t always easy,
No matter how hard I tried,
When he started sweet talking to me,
he’d come tell me everything is alright,
he’d kiss and tell me everything is alright,
Can I get away again tonight?.
The only one who could ever reach me,
Was the son of a preacher man,
The only boy who could ever teach me,
Was the son of a preacher man,
Yes he was, he was, oh yes he was.
How well I remember,
The look that was in his eyes,
Stealing kisses from me on the sly,
Taking time to make time,
Telling me that he’s all mine,
Learning from each others knowing,
Looking to see how much we’d grown.
The only one who could ever reach me,
Was the son of a preacher man,
The only boy who could ever teach me,
Was the son of a preacher man,
Yes he was, he was, oh yes he was.

 

By Đức

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